DRM DRAMA
On Jan. 4, 2008, in his article “Death of DRM Could Weaken iTunes, Boost iPod” Dave Kravetz of Wired wrote:
“The report that Sony BMG is moving to DRM-free downloads represents the music industry’s white-flag concession that its copyright-protection scheme created a powerhouse in Apple’s iTunes Store while failing to combat piracy.” Wot!
Happily, we couldn’t agree more. Punks hate DRM, if not out of principle then simply how poorly attempts at “digital rights management” have been executed.
But besides just failing to combat piracy, DRM has also been a total fiasco for record companies in terms of PR devaluation.
Keeping with the Sony BMG example, a few of you may recall that not far down the memory hole, in October 2005, there was quite a row over the “rootkit” shenanigans perpetrated by the naughty and positively Orwellian Sony.
Installing hidden software on customers’ computers that open up security holes on your system, slow down your computer, or cause it to crash??
Talk about bad PR karma.
And the back lash was tremendous in the wake of Mark Russinovich’s (appropriately dated) October 31, 2005 blog post “Sony, Rootkits and Digital Rights Management Gone Too Far” In the end, citizen journo Russinovich showed Sony his own version of “digital rights management” and gave them a digi-journali-tal smackdown.
And while many of us may be cheering the DRM death knell being sounded, it remains to be seen if Sony-like companies have learned from their mistakes. There’s already talk of the next stage in the evolution of this intellectual property trend at Wired—a/k/a watermarking.
And as we bid a not-so-fond farewell to DRM, we close with a parting question for all the: “Was all the bad press really worth it?”
Answer to be seen.