Television Is Desperate
TV networks used to carefully build and cultivate shows and they branded the shows as important products; this ensured deep viewer engagement and therefore, ka-$$. We call that long-term viability. But today’s fascination with celebrity reality is a get rich quick pyramid scheme leaving the nets with no shows, no identity, and a hell of a lot of problems. (VH1, we’re talking about you and Flava; listen up).
I was flipping through the cable-waves and couldn’t help but notice a pattern: Dancing With The Stars, Celebrity Fit Club, Celebrity Rehab, Celebrity Apprentice, and I think one on celebrity dieting! Yet the writer’s strike was over! Did the writers stay on vacation?
Out of some weird curiously, I watched the first episode of “Celebrity Rehab” – the term train wreck is a generous review. Seeing Jeff Conaway barely mobile or coherent isn’t entertaining in the least but crept into my soul in a dark way. What happened to privacy for someone’s horrible downfall? To a shred of dignity? Celebrities used to represent some kind of intangible ideal. From Bonaduce to Britney it’s clear that the Hollywood landscape has changed, maybe inalterably.
Flimsy reality TV is in its heyday. Gosh, Hilton’s celeb reality show lasted five seasons! (Gees, yet straight-to-DVD “One Night in Paris” lasted but one horrible night!) And just when we thought it was safe to turn on the tube without her, now we hear she’s coming back with a guest spot on “Earl” and a new show hilariously called “Paris Hilton’s My New BFF”!
Wasn’t realty TV a “Real World” concept born from the desire to watch normal people go through their days with human drama the star? Remember our ole friend Puck! He was never a celebrated guy, didn’t pose for mag covers, but we watched him because he was consistently Puck. And Pedro? He inspired us with his transparency.
So the nets are giving us what we want, yeah. Just look at the ratings over these past years. While the broadcast/cable homes rely on more and more reality, and more and more celebrity crap, viewership for everyone (even Bravo) slides fast into let’s-remake-this-channel territory. They can blame the Internet or games or even, like they did last year, Daylight Savings Time!
But it used to be you watched to “go where everyone knows your name” and where friends were “there for you.” Now we have Hugh Hefner chasing – let’s face it – ho’s. Other than Eliot Spitzer, does anyone REALLY want to know who he’s with when the guy is that gross?
Could be that ratings built on lame reality and tawdry fame isn’t what the public wants and they’re merely watching between laundry runs. Maybe instead of slapping the word celeb on every hair-brained concept, networks should invest in content with a shelf life longer than the latest Us Weekly cover story.
Everything on TV seems to be what works now–this second. Look at Fox. If something doesn’t click with us with super-hype before it airs, it’s history. That is not historically how it’s been with huge hits. So why, then, would it work today?
Building a business with a brand band-aid isn’t a Punk strategy. Being Punk is about listening to your consumer/user/viewer, taking that knowledge to heart so it intelligently works today and keeps people into you tomorrow.
To those short attention span thinkers at E!: maybe Paris doesn’t want us to be our BFF. And you know what? I think the folks at home are happy enough with Miley.
