Archive for the 'Pop Culture' Category

So What Is Punk?

Punk is…
Never having to dread getting up in the morning knowing you’ve got another day ahead of dull, dull, dull meetings.

Punk is…
Saying something in a meeting at work that jars the groupthink away from the safe, tried and trusted routes.

Punk is…
Introducing some managed chaos into the workplace to unshackle people’s thinking and inject some creativity.

Punk is…
Taking a day out of the office to do something completely different but stimulating – an art gallery, a movie, a hike - and letting your mind make the creative connections necessary to tackling problems in new ways.

Punk is…
Bringing in an expert from a completely different field – a cabinetmaker, a tree surgeon or sushi chef, for instance – to talk to your team and learn from the experience.

Punk is…
Hiring people not based on the amount of relevant experience they have in your industry but on how the unique skills they have will help the organization grow.

Punk is…
Making creativity a part of everyone’s jobs, not just the domain of a department in an agency, and judging employee performance partly based on how well they’ve used creativity to solve problems.

Punk is…
Putting yourself in others’ shoes to see in a more objective way if what you’re doing makes sense to the outside world or whether you’re just talking to yourself.

Punk is…
Being a greedy consumer of knowledge from all sources, and discovering ways to apply that information to your own business when you least expect it.

Punk is…
Finding ways to be happy in your work, knowing that happiness is good for creativity and creativity is good for more creativity, which is good for business, which makes you happy.

Punk is…
Knowing that if what you do doesn’t pass the bullshit test and isn’t meaningful, honest and interesting, you should be doing something else instead.

Punk is…
Realizing that people don’t care about your business and certainly not your marketing unless you give them a serious, no bullshit reason to care.

Punk is…
Setting impossibly high goals for yourself and thinking of crazy ways to get there before scaling back your ambitions to more achievable ones, as this will free your mind to bigger possibilities.

Punk is….
Questioning colleagues on their assumptions, and never accepting any form of the “it’s how we’ve done it before” rationale.

And that is what Punk is, dude.

Twitter @laermer


Bad Pitch Night School (During the Day)

“You should probably be working at Starbucks.”

This is exactly the kind of thing authors of the unbearably famous Bad Pitch Blog tell those PR practitioners unlucky enough to see their latest debauchery end up on badpitch.blogspot.com.

For several years now, PR pros Richard Laermer (@laermer) and Kevin Dugan (@prblog) have joined forces to write the award winning industry watchdog blog, and now they are hosting their first live teleseminar. And everyone is invited.

Mark your calendars for Wednesday, July 29 from 1 p.m. to 2 p.m. EDT. PR know-it-alls Richard Laermer (Punk Marketing, Full Frontal PR) and Kevin Dugan (Strategic PR Blog) are hosting the brand new “Bad Pitch Night School (During The Day).”

Admission gets you:

  • A smart, step by step approach to pitching that includes hilarious case studies and goes beyond that simple email. From looking at the whole pitch lifecycle, including the truth about pitching bloggers and using social media, to tips that will no doubt make you better-informed (and tell you how) plus the keys to pitch inspiration, they’ll help you improve your game.
  • Plus, a free e-book of Laermer`s classic Full Frontal PR handbook.

In this nonstop, ridiculously cool hour the boys are going to knock you out with more learning than you thought possible!

$49 bucks gets you admission for as many people as you can cram into a conference room (via speakerphone, natch), and your free e-book. What a deal!

There’s a Bad Pitch Blog Scholarship Program! What would a school (and a recession) be without scholarships? Bad Pitch Blog gives out five FREE student scholarships and five FREE professional scholarships to those professionals “between jobs/in transition/laid off/out of work.” If you qualify write the boys at badpitch@gmail.com Do it now. Time is fleeting.

Learn more, sign up and be cool at www.CrappyPR.com. Oh and laugh a bit.


Punk Marketing: The Paperback

Punk Marketing is out in paperback now…Buy it from Amazon at http://tinyurl.com/paperpunk. Here is our press release with all the details. Mark and I changed it a lot to make it up to date for a recession age.

Enjoy. Comments? Twitter us at www.Twitter.com/punkmarketing.

Hey Kids: For Immediate Release

–Now in Paperback–

PUNK MARKETING
Get Off Your Ass and Join the Revolution

By Richard Laermer and Mark Simmons

The revolutionary real-world guide for creatives and marketing zealots in an updated, recession-proof paperback to help to overthrow marketing as we know it

Ever hear of WIMPLASH? Every economic indicator is moving in the wrong direction and the outlook seems grim. Instead of throwing themselves into the fight, marketers are suffering from what Punk Marketing’s Laermer and Simmons call “wimplash,” the inability to move up, down or sideways. So Punk Marketing is back and better than ever.

The paperback Punk Marketing—in stores and on street corners May 19—is peppered with examples, case studies, faux pas, jokes, and practical advice that every marketer needs right now. A recession provides a momentous opportunity for anyone selling ANYTHING to use whatever budgets they have intelligently. The faint-hearted will retreat to traditional while the wise engage consumers by recognizing a shift in power from corporations to consumers.

Laermer and Simmons, the established, unstoppable authors of PUNK MARKETING: Get Off Your Ass and Join the Revolution (Harper Paperbacks; May 2009; $16.99, trade paperback), are anxious to have their message heard. They write, “More and more and even more consumers are now not consumers but content creators and distributors of really good material too.” As consumers become less passive, traditional marketing campaigns are obsolete.

According to these dudes, snappy TV ads that used to sell products effectively are not potent during a crazy time like this. A myriad of social networking sites, video on and offline, below-the-radar sites, DVR action, teensy pamphlets and fliers, mobile meandering and whole mass of entertainment options have segmented the viewing audience. For companies to promote their products, they must target consumers accurately and work with them to serve their needs.

The book that critics called “blunt, fair, fearless and outrageous—just like the marketing style they espouse” gets its groove on by discussing organizations that have been successful by reaching out to their core demographic in new ways. The authors lift their hands and shout—err, write: “Consumers want to feel the company they buy from has their absolute best interests at heart; so for them that means being treated respectfully as sole beings and not units in some amorphus lump.”

In addition to some of the Punk approaches marketers are now taking, technology has revolutionized marketing. Smart marketers are finding ways to successfully reach consumers via text messages about exciting deals. RFID technology may some day enable a shop to tailor their product offerings to the personal dialections of the consumers. “One of your authors, a professional futurist/show-off, once envisioned a time when you or we can walk by a shop and a special discount or menu would pop onto our teensy screens,” Laermer and Simmons write.

Called a “Book You Should Have Read” by Advertising Age last year, the updated, PUNK MARKETING introduces a radical new approach and a new lexicon to a discipline desperately in need of an overhaul. Founded upon a 100% revised set of assumptions about how consumers interact with brands, it is more than theoretical analysis; it is a set of usable (and funny, and arguable) tools for the modern marketing revolutionary.

According to Laermer and Simmons, it’s high time for marketers to recognize this and change their Fail-oriented ways before the guy or gal who replaces them does it for them.


About the authors:

Richard Laermer is a top trends and marketing speaker, author of the best-selling book Full Frontal PR and the brand new 2011: Trendspotting for the Next Decade, as well as the CEO of veteran agency RLM PR. He is known for his Marketplace commentaries on NPR, hosted the cult makeover series Taking Care of Business on The Learning Channel and is a frequent commentator on CNNMoney.com while co-managing the BadPitchBlog (badrelease.com) for the PR industry! He is also a regular writer for HuffingtonPost (www.huffingtonpost.com/richard-laermer) and helms the new teaching site, HowToFame.com, launching in June.

Mark Simmons has 20 years of experience as a top marketer in the US and his native England , and has been at the topmost edge of new techniques while running his own Anti-Corp agency and as the LA head of groundbreaking bad boy agency Crispin, Porter & Bogusky. Simmons recently launched social enterprise USELESS, dedicated to helping people use less while giving more. He is a full-time rock star marketing consultant toiling for, among others, Gore and Gates, which has brought the planet further from extinction. Prior to all this good, he was one of the top marketers at Coca-Cola in Atlanta. 

About the book
Title: PUNK MARKETING: Get Off Your Ass and Join the Revolution
Author: Richard Laermer and Mark Simmons
On sale date: May 19, 2009
Price: $16.99, trade paperback
Pages: 256
ISBN: 978-0-06-115111-8
Imprint: Harper Paperbacks

Contact:
Barbara Teszler
212.207.7727
barbara.teszler@harpercollins.com


all of a twitter

I recently had the chance to interview Twitter CEO and co-founder, Evan Williams, a nice lad who grew up on a farm in rural Nebraska. In this exclusive interview Evan talks about how Twitter came about, how it has evolved and, and his approach to innovation. Read on…

Twitter wasn’t Evan’s first breakthrough product. In 1999 he had started a company called Pyra and, while working on a project management web application as a way to keep track of the project, the team wrote script to turn a personal website into a blog, which eventually turned into Blogger. “It wasn’t at all what our company was planning go do, it was very much just an idea on the side which seemed like a very small idea compared to what we were working on.” They basically just stumbled on the idea behind Blogger.

Evan says that his co-developers had more discipline than he did so wanted to focus on the original product, but he couldn’t bring himself to drop it. “I just couldn’t get rid of the Blogger idea, it kept nagging me,” he says. And he eventually convinced his co-developers to build it on the side. But, “it turned out to be more interesting than then original plan” and Blogger started getting some traction, so eventually they shut down the original project to focus on it. Blogger became very successful and Evan and his partners sold their company, Pyra, together with Blogger for an ‘undisclosed sum’ to Google in February 2003.

With Twitter, Evan says it was similar in some ways, but different in many others. By that time he’d left Google and started a new company, called Obvious, to develop ideas. He called it ‘obvious’ because, he says, often after an idea has been developed other people will say, that it was “obvious” from the start. Compared to Pura, “we were further along with the company,” he says. “We had raised venture capital and were about a year into the company. We were more like 14 people instead of 3. We were focusing on a podcasting product that wasn’t really taking off and so were actively looking for new ideas.” And Twitter was one of the ideas they came up with.

But, why did he think it was a good idea?

It’s not as if there weren’t enough ways to communicate with friends when Twitter was conceived (it was launched in March 2006) - blogs, email, IM, phone…even F2F (’face-to-face’ in Internet jargon). “I don’t know,” says Evan. “A lot of it, for me anyway was gut.” He’d seen how people had used Blogger and saw the similarities with Twitter, and he saw its potential. “Once we had the prototype and were using it ourselves, then it was very clear it was interesting. It was immediately compelling to the small group of us using it.”

But, Twitter didn’t take off overnight. In fact, despite the success of Blogger, he knew Twitter would difficult to explain to the finance folks. He didn’t try to convince the the original investors in his new company of the value of Twitter and eventually he bought the company back from them. “It would have been a tough sell,” admits Evan.

Since its launch three years ago, how people use Twitter has evolved. “It’s changed quite a bit in the ways people use from what we originally imagined,” he says. “It’s continually surprising. Even though we have had the notion for a while that Twitter has the potential to be very big, it’s the way it’s grown and the different uses and the reality of it becoming big in so many different ways is always surprising.” When he first used it he took it much literally, ‘what are you doing?’ to update friends. It’s now become much broader than that. People have learned “It’s just a way to communicate something to a bunch of people at once.” It’s now become a way to find out what’s happening with the things people care about - whether friends, news, events, a band, a sports team.

(Of course Facebook has it’s own ‘what are you doing now?’ feature, but Evan thinks that people use it very differently to how people use Twitter because Facebook is for people in their social circle, wheras Twitter doesn’t have to be.)

He thinks media usage will continue to evolve and before long other things will come along that’ll make Twitter look pretty primitive. But, certain new patterns in media have now started to stabilize. For instance, the reverse chronology time-line (most recent stuff first) seen on blog posts (like this one) is now how people consume media, whereas not too long ago it was a novelty. And, “one that will be obvious to everyone soon is that all media is social media. There will be very few examples of media that stands alone and don’t have commentary from other people.” A positive thing about media, he believes, is that people question its credibility a lot more now than they used to, and media sources - bloggers, twitterers - will get a reputation for being credible when, and if, other people say they are credible.

Obvious doesn’t exist as a company any more, it’s all about Twitter. The plan had originally been to develop more products like Twitter and spin them off into their own companies. “In the case of Blogger and Twitter the ideas that became interesting were not the ideas the companies were founded for,” he says. The most interesting ideas are often hard to fund at first because they are so new. Most times, he says, it’s almost impossible to start something on the side (like he did, twice), you just say, “I can’t do that.” So, he “wanted to create environment to pursue those sort of ideas and where it would also be okay if they didn’t work” - the ideas that exist somewhere between hobbies and ones needing venture capital money.

While the theory behind Obvious is sound, “in practice it didn’t really get off the ground,” he says. “Twitter was getting to the point where it deserved to be its own company. I found myself gravitating towards Twitter and I didn’t know if I wanted to be in a mode where I was switching my focus so much. Multiple times a day I was switching projects and I found, for myself, that way of working didn’t work at all. I came to the conclusion it was better to do one really big thing than lots of small or medium things, and there was nothing that I could think of that was potentially as big as Twitter.” So, Evan is not even thinking beyond Twitter now.” Twitter’s the biggest possible thing I could do,” he says.

I asked him about his creativity. “I’ve always thought of myself as very creative. I’m not a ‘wacky’ creative, I’m more of an innovator and I see potential in things and I see opportunities and I’m good at synthesizing ideas.” He’s very clear that he didn’t invent Twitter, but he did see what it could become. “I’m good at recognizing new ideas when often the people who came up with them don’t recognize them themselves that they’re good ideas.” His skill is partly in “questioning assumptions, which I think is a core thing in creativity. I’m continually asking ‘are we thinking big enough?’ and pushing the team towards not just solving the problem we have today, but thinking much bigger, thinking ‘well, why are we stopping there?’”

And, when it comes to innovation, he is more of a doer than a talker. “I’m a big believer in just trying stuff,” he says. “I don’t want to debate too much whether or not something’s a good idea until we see it in action.” This is possible with web applications in particular where it’s often just as easy to try it out as talk about it. “The Achilles heal of successful products and even companies is that success locks you into a certain mode and it allows the upstarts to come in and try something completely different, or just different enough to be superior.”

During his time working for Google Inc., despite its reputation as one of the most innovative companies around, he saw a lot of projects not able to get off the ground because Google were focused on much more important incremental improvements. “You have to accept a certain amount of discomfort if you think there’s a better way to go.” At Google they use endless amounts of data to make the decisions and are constantly testing new things on a very small percentage of users and seeing their reaction. But, there are many innovations for which that process doesn’t really work, where numbers don’t necessarily tell you the story. “Sometimes you just have to go with your gut,” says Evan.

Talking of his own background, he says, “I definitely think people can learn how to ‘do’ creativity, but I think for the most part people ‘unlearn’ how to do it. At grade school my parents were told by my teachers I would come up with the right answers, but the wrong way. Even if I knew the answer I didn’t want to get to it the way they wanted me to get to it.” He strongly believes that creativity is often beaten out of kids at school, it’s about coming to the same conclusions as everybody else.

He rejected that philosophy, but rebelled in a quite way by throwing his energy into changing the status quo through technology. “It was a nerdy form of rebellion,” he says.


Punk Marketing During the Recession

Dear Participant In The Punk Marketing Revolution:

You don’t need to be told that we are in the depths of a steep recession. Jobless claims are up, GNP is down, and most importantly for marketers, ad spends are projected to fall a whopping four percent this year. Trust in corporate America is non-existent. Things are bleak.

It is easy to curl into to the fetal position and wait out the warmer economic days, but if you do that, you are missing out! You see, friends, Recession actually *creates* opportunity. When there is less money, marketers have license to be more creative. The people who are scared will retreat into the traditional, boring methods of marketing – another billboard? now? - while those who think outside the bun a little bit will have the chance to be creative and thrive.

Sounds easy, but at this point you’re probably wondering how you can be part of the “in crowd” who makes a buck during the downturn. Let the gentlemen from Punk Marketing give you some tips. Key is to keep a few straightforward concepts in mind and the rest will take care of itself…with finesse and vigor!

First, you have to realize that consumers – not the media or marketers - control the market. What do consumers want? They want you to be there for them. They want to know they are buying a good product. Consumers want you to hold their hands and show them what to buy. They want to feel like they are part of American-led innovations.

Example: A recent Brooks Brothers ad entitled Generations of Style may as well have been clipped from a 1949 life magazine. the message: “We are an American institution, it’s OK to buy from us!”

Once you’ve determined the right angle with which to position your product, remember that marketing in 2009 is like war, but less bloody. We are fighting people who never want to leave their homes, and when we capture them, we shower them with love. After you get consumers to consume, you must reward them for taking the plunge. Reassurance is one of the big changes that needs to be made to adjust.

OK – you know how to position your product, you know how to treat your customers after you get them to buy, but how about the actual marketing?

Simply put: Tone is more important than ever. Your message is meaningless today if you say it with the wrong tone. Your messages should be WARM in the cold recession. Fill people with warmth. People need to feel good about what they are buying, not just adequate.

Take for example, the latest Crown Royal TV spot – the typical alpha male pool shark wins every game at the pub, but leaves early every night to shoot a game or two with his dad, while enjoying Crown Royal. Isn’t that precious? Kind of makes me want to spend $35 on a fifth of bourbon, just to feel better.

Beyond the message and its position and tone, there is a very practical aspect of selling that many marketers completely miss: focus groups do not represent your customers. Your customers represent your customers. Listen to them! Do not make your customers feel stupid by telling them what research presumes they are thinking! Original Punk Marketer Henry Ford once famously said that if he listened to what his customers thought they wanted, they would have said “a faster horse.”

Your message should be crafted in a way that provides people with the idea that they are getting something of value when they purchase your product instead of just a low price. Cheap is what chickens do! People want to feel like they are getting a deal on something that costs a little more.

Nissan’s latest move is an excellent illustration of this. It started selling a $12,000 car — the Nissan Versa — for just under $10,000. All of the sudden, car buyers were getting a deal – a brand new car for below the psychological barrier of a five digit price. Excellent move, Nissan.

The line between low-cost and value is often precarious, and complicated even further by the fact that in a recession, consumers do not want to spend large amounts of money. Big ticket items are no longer the big sellers. Huge capital outlays are for the birds. You need to pick and choose what kinds of products fit the bill: Instead of selling that 52” plasma, how about selling a Blu-ray disc with a pack of microwave popcorn?

Just as consumer spending is principled these days, all recession marketing must be similarly principled. Stick to your customers like your job depends on it, because it does. Now is perhaps not the best time to be over-aggressively pursuing new customers. You need to hang on to your existing customers. They already love you with their wallets!

Creativity plays a big part of the successful recession marketer’s arsenal. There are a few sources of media left that consumers actually listen to. The Internet is one. This is, remember, 2009. There is no excuse for dismissing the online world as fringe. Start using some 2009 methods to get the message out. Twitter, Wordpress, Facebook, Wikipedia, Ning sites, etc. are your friends - these are not cliches in any way. Using them is no longer optional – it is compulsory. Everybody uses a computer now. Don’t you think you ought to start? everyone and their mother is carrying an iPhone or a Blackberry these days – isn’t it about time you figured out how to get to them via their mobile device?

Along with a solid, disciplined message, consumers want clear and concise choices. Don’t confuse them with options and bells and whistles. Be one thing – one really great thing. Tylenol sells no less than 14 kinds of sinus medication. Don’t make your buyers have to become experts on the ins and outs of your product. Hit them over the head with focused and deft marketing, and the rest will take care of itself.

The well-informed, principled, disciplined, and savvy marketer must always keep in mind that marketing is not always the most important thing that your company has in mind. You absolutely must choose your battles. As a marketer, you aren’t going to get every dollar you want. That’s where that noggin of yours comes into play. Didn’t get the $15,000 you wanted for billboards? No big deal. Think up something better to use in hopes that you get the $2,000 for AdWords on a great and unexpected content site. Money is finite – and companies aren’t likely to give you all the dollars you need. Don’t let that be an excuse for running yet another lame radio ad, ok?

Look, friend. Things are bad, no doubt. Chances are they are going to get bad before they get better. This is where you earn your stripes as a marketing pro. Stick to what we know works well and ride out this downturn. This can be your time to shine — if you choose to make it your time to shine.

Punk Marketing on Twitter: www.twitter.com/punkmarketing (duh); paperback Punk Marketing on 5/15.